Raquel Dionísio Abrantes is a writer from Portugal. She has a Bachelor's Degree and a Master’s Degree in Cinema from Universidade da Beira Interior. Raquel gave a Master Class in Writing of Scripts about Narrative Structure. Her writing has appeared on Write or Die Tribe, Better Than Starbucks, The Pangolin Review, New Hand Lab and Fleas on the Dog. She writes for Read Poetry. More about her work can be found at https://www.instagram.com/woodland.poem.
As a writer you have probably submitted your work to literary publications—or have at least considered doing so. Literary journals and magazines are incredible places to get exposure for your pieces. However, it is necessary to make a careful selection.
Throughout history, Black people have suffered atrocities, and after centuries of progress, it is still imperative to raise awareness about persisting, pervasive inequity and work to create much-needed change. The Black Lives Matter movement has brought deep-rooted and unresolved problems
“Writing more and more to the sound of music, writing more and more like music. Sitting in my studio tonight, playing record after record, writing, music a stimulant of the highest order, far more potent than wine.” —Anaïs Nin When it comes
I am sure you have heard it before: show, don’t tell. It is the celebrated telling vs. showing in prose. In this regard, Anton Chekhov writes, in a letter to his brother, Alexander Chekhov, “for instance: you will capture the
Sometimes we writers suffer from the writing blues. We look at our work and we see no worth in it. This comes from a multitude of feelings, including self-doubt, perfectionism, comparison, and many more. However, there are things we can